Emerging from the wind-sculptured dunes some 12 miles southeast of Dunhuang is an arc of cliffs that drop more than a hundred feet to a riverbed lined with poplar trees. By the mid-seventh century, the mile-long rock face was honeycombed with hundreds of grottoes. It was here that pilgrims came to pray for safe passage across the dreaded Ta klimakan Desert—or in Xuanzang’s case, to give thanks for a successful journey. Within the caves, the monochrome lifelessness of the desert gave way to an exuberance of color and movement. Thousands of Buddhas in every hue radiated across the grotto walls, their robes glinting with imported gold. Apsaras (heavenly nymphs) and celestial musicians floated across the ceilings in gauzy blue gowns of lapis lazuli, almost too delicate to have been painted by human hands. Alongside the airy depictions of nirvana were earthier details familiar to any Silk Road traveler: Central Asian merchants with long noses and floppy hats, wizened Indian monks in white robes, Chinese peasants working the land. In the oldest dated cave, from A.D. 538, Xuanzang would even have seen those bandits again—only in this rendition, the thugs had been captured, blinded, and ultimately converted to Buddhism. Read more or view the slideshow
Here are some examples:
(Images: Tony Law via National Geographic)
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