Incremental Bliss, Karen Tompkins
IN WRITING OF Sigmund Freud, one master diagnostician of human suffering, the psychoanalyst and philosopher Erich Fromm observes:
The attempt to understand Freud’s theoretical system, or that of any creative systematic thinker, cannot be successful unless we recognize that, and why, every system as it is developed and presented by its author is necessarily erroneous…. The creative thinker must think in the terms of the logic, the thought patterns, the expressible concepts of his culture. That means he has not yet the proper words to express the creative, the new, the liberating idea. He is forced to solve an insoluble problem: to express the new thought in concepts and words that do not yet exist in his language…. The consequence is that the new thought as he formulated it is a blend of what is truly new and the conventional thought which it transcends. The thinker, however, is not conscious of this contradiction.
The Buddha, of course, was himself a master diagnostician, and while there are obviously great differences between him and Freud, I think that we can apply Fromm’s point to the Buddha’s own “liberating idea.” Even the most creative, world-transforming individuals cannot stand on their own shoulders. They too remain dependent upon their cultural context, whether intellectual or spiritual—which is precisely what Buddhism’s emphasis on impermanence and causal interdependence implies. The Buddha also expressed his new, liberating insight in the only way he could, using the religious categories that his culture could understand. Inevitably, then, his way of expressing the dharma was a blend of the truly new (for example, the teachings about anatta, or “not-self,” and paticca-samuppada, or “dependent origination”) and the conventional religious thought of his time. Although the new transcends the conventional, as Fromm puts it, the new cannot immediately and completely escape the conventional wisdom it surpasses.
By emphasizing the inevitable limitations of any cultural innovator, Fromm implies the impermanence—the dynamic, developing nature—of all spiritual teachings. As Buddhists, we tend to assume that the Buddha understood everything, that his awakening and his way of expressing that awakening are unsurpassable. But is that a fair expectation? Given how little we actually know about the historical Buddha, perhaps our collective image of him reveals less about who he actually was and more about our own need to discover or project a completely perfect being to inspire our own spiritual practice.
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