At the Theravada temple of Wat Bang Phra, about thirty miles west of Bangkok, saffron robes, glittering statues, embroidered umbrellas, and paper lanterns are all expected sights on the day of a festival. On this day, however, the throng in the square is not composed solely of the devout. Although the majority of the participants are Thai monks and laymen, mixed in with the crowd is an ever-increasing number of foreign roughnecks—laborers, drivers, gang members, even mobsters. All have come to seek the blessings of the monks, but in one particularly symbolic and permanent form: tattoos.
Rooted in Thailand’s tradition of Buddhist spiritual service and the country’s history of animistic belief, the annual tattoo festival at Wat Bang Phra attracts thousands of visitors. For Western tattoo artists, it has become renowned as one of the last living examples of authentic tattooing. For tourists, it has been sensationalized as an example of an exotic Thai custom. And for the people of the Nakhon Pathom province, it is but one of the myriad temple festivals that take place throughout the year. Whatever their background, all have come to experience the tangible ways in which beliefs are made manifest. From time immemorial, the Khmer and Mon peoples of this rice-growing area have participated in animistic rituals to influence the spirits they believe inhabit the natural world around them. Shamans, witch doctors, folk remedies, and magical rites are fundamental to animism, and its adherents directly interact with and influence the spirits. Despite Thailand’s current conservatism, in the many monasteries and temples across the country, Buddhist practice is often infused with this animistic legacy.
Part of the legacy of animism is the custom of wearing protective amulets, which are thought to deter harmful forces. Before entering the temple’s enclosure, many of the men stop to purchase a string necklace bearing two small pendants: a plastic tiger’s head, representing power, and a metal medallion of the abbot and head tattooist of the monastery, Luang Phor Pern. But the most potent amulet, the one for which these seekers have come today, is not worn outside the skin but on it.
As the men line up at the various small buildings surrounding the enclosure, the tattoos are finally applied. The tattooists are monks, some former students of Luang Phor Pern. Because of the Vinaya (monastic code) proscription against touching women, a great majority of the monks will tattoo only men, although occasionally a monk will specialize in women’s tattoos if an assistant can be found: Although the monk does the actual tattooing, he is able to respect the injunction because only his needles touch the client; his assistant pulls the skin taut. Many monks specialize in the tiger tattoo for which the temple is famous, while others apply protective ancient Khmer scripts. No matter what the design, though, it is the tattoo itself that is imbued with power, and the act of tattooing that confers the blessing.
Offerings of cigarettes, or perhaps orchids, are made to the monks. Dipping his slender metal double-pronged rods into a dark liquid (an undisclosed combination of coloring agent, snake venom, and potent herbs), a monk rhythmically and quickly punctures the skin of the devotees. Small dots of ink and blood begin to appear, and with repeated applications the small dots eventually form an overall design. After finishing, the monk says a quick prayer, and the next devotee steps up.
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