Our greatest fear is that when we die, we will become nothing. Many of us believe our entire existence is limited to a particular period, our “lifespan.” We believe it begins when we are born—when, out of being nothing, we become something—and it ends when we die and become nothing again. So we are filled with a fear of annihilation.

But if we look deeply, we can have a very different understanding of our existence. We can see that birth and death are just notions; they’re not real. The Buddha taught that there is no birth and no death. Our belief that these ideas about birth and death are real creates a powerful illusion that causes us a great deal of suffering. When we understand that we can’t be destroyed, we’re liberated from fear. It’s a huge relief. We can enjoy life and appreciate it in a new way.

When I lost my mother, I suffered a lot. The day she died, I wrote in my journal, “The greatest misfortune of my life has happened.” I grieved her death for more than a year. Then one night, I was sleeping in my hermitage—a hut that lay behind a temple, halfway up a hill covered with tea plants in the highlands of Vietnam. I had a dream about my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, with her hair flowing down around her shoulders. It was so pleasant to sit and talk to her as if she had never died.

When I woke up, I had a very strong feeling that I had never lost my mother. The sense that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just that: an idea. It was obvious in that moment that my mother was still alive in me and always would be.

I opened the door and went outside. The entire hillside was bathed in moonlight. Walking slowly in that soft light through the rows of tea plants, I observed that my mother was indeed still with me. My mother was the moonlight caressing me as she had so often done, very gentle, very sweet. Every time my feet touched the earth, I knew my mother was there with me. I knew this body was not mine alone but a living continuation of my mother and father, my grandparents and great-grandparents, and of all my ancestors. These feet I saw as “my” feet were actually “our” feet. Together my mother and I were leaving footprints in the damp soil.

From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, or feel the breeze on my face or the earth under my feet, to remember that my mother is always with me, available at any time.

When you lose a loved one, you suffer. But if you know how to look deeply, you have a chance to realize that his or her nature is truly the nature of no-birth, no-death. There is manifestation, and there is the cessation of manifestation in order to have another manifestation. You have to be alert to recognize the new manifestations of one person. But with practice and effort, you can do it. Pay attention to the world around you, to the leaves and the flowers, to the birds and the rain. If you can stop and look deeply, you will recognize your beloved manifesting again and again in many forms. You will release your fear and pain, and again embrace the joy of life.

The Present Is Free from Fear

When we are not fully present, we are not really living. We’re not really there, either for our loved ones or for ourselves. If we’re not there, then where are we? We are running, running, running, even during our sleep. We run because we’re trying to escape from our fear.

We cannot enjoy life if we spend our time and energy worrying about what happened yesterday and what will happen tomorrow. If we’re afraid all the time, we miss out on the wonderful fact that we’re alive and can be happy right now. In everyday life, we tend to believe that happiness is only possible in the future. We’re always looking for the “right” conditions that we don’t yet have to make us happy. We ignore what is happening right in front of us. We look for something that will make us feel more solid, safer, more secure. But we’re afraid all the time of what the future will bring—afraid we’ll lose our jobs, our possessions, the people around us whom we love. So we wait and hope for that magical moment—always sometime in the future—when everything will be as we want it to be. We forget that life is available only in the present moment. The Buddha said, “It is possible to live happily in the present moment. It is the only moment we have.”

Todd R. Forsgren, variable seedeater (Sporophila Corvina), 2012.
Todd R. Forsgren, variable seedeater (Sporophila Corvina), 2012.

The Here and Now

I have arrived, I am home
In the here, in the now
I am solid, I am free
In the ultimate I dwell

When we come back to the here and now, we recognize the many conditions of happiness that already exist. The practice of mindfulness is the practice of coming back to the here and now to be deeply in touch with ourselves and with life. We have to train ourselves to do this. Even if we’re very intelligent and grasp the principle right away, we still have to train ourselves to really live this way. We have to train ourselves to recognize the many conditions for happiness that are already here.

You can recite the poem above as you breathe in and out. You can practice this poem when you drive to your office. You may not have arrived at your office, but even while driving you have already arrived at your true home, the present moment. When you arrive at your office, this is also your true home. In your office, you are also in the here and now. Just practicing the first line of the poem, “I have arrived, I am home,” can make you very happy. Whether you are sitting, walking, watering the vegetable garden, or feeding your child, it is always possible to practice “I have arrived, I am home.” I have run all my life; I am not going to run anymore; now I am determined to stop and really live my life.

When we practice breathing in and we say, “I have arrived,” and we really arrive, that is success. To be fully present, 100 percent alive, is a real achievement. The present moment has become our true home. When we breathe out and say, “I am home” and we really feel at home, we no longer have to be afraid. We really don’t need to run anymore.

We repeat this mantra, “I have arrived, I am home,” until it feels real. We repeat breathing in and out and taking steps until we are firmly established in the here and now. The words should not be an obstacle—the words only help you concentrate and keep your insight alive. It is the insight that keeps you home, not the words.

The Two Dimensions of Reality

If you have succeeded in arriving at home, truly dwelling in the here and now, you already have the solidity and freedom that are the foundation of your happiness. Then you are able to see the two dimensions of reality, the historical and the ultimate.

To represent the two dimensions of reality, we use the images of the wave and water. Looking at the dimension of the wave, the historical dimension, we see that the wave seems to have a beginning and an end. The wave can be high or low compared with other waves. The wave might be more or less beautiful than other waves. The wave might be there or not there; it might be there now but later not there. All these notions are there when we first touch the historical dimension: birth and death, being and nonbeing, high and low, coming and going, and so on. But we know that when we touch the wave more deeply, we touch water. The water is the other dimension of the wave. It represents the ultimate dimension.

In the historical dimension we talk in terms of life, death, being, nonbeing, high, low, coming, going, but in the ultimate dimension, all these notions are removed. If the wave is capable of touching the water within herself, if the wave can live the life of water at the same time, then she will not be afraid of all these notions: beginning and ending, birth and death, being or non-being; non-fear will bring her solidity and joy. Her true nature is the nature of no-birth and no-death, no beginning and no end. That is the nature of water.

All of us are like that wave. We have our historical dimension. We speak in terms of beginning to be at a certain point in time, and ceasing to be at another point in time. We believe that we are now existing and that before our birth we did not exist. We get caught in these notions, and that is why we have fear, we have jealousy, we have craving, we have all these conflicts and afflictions within us. Now if we are capable of arriving, of being more solid and free, it will be possible for us to touch our true nature, the ultimate dimension of ourselves. In touching that ultimate dimension, we break free from all these notions that have made us suffer.

When fear loses some of its power, we can look deeply into its origin from the perspective of the ultimate dimension. In the historical dimension, we see birth, death, and old age, but in the ultimate dimension birth and death are not the true nature of things. The true nature of things is free from birth and death. The first step is to practice in the historical dimension, and the second step is to practice in the ultimate dimension. In the first step we accept that birth and death are happening, but in the second step, because we’re in touch with the ultimate dimension, we realize that birth and death come from our own conceptual minds and not from any true reality. By being in contact with the ultimate dimension we are able to be in touch with the reality of all things, which is birthless and deathless.

Practicing in the historical dimension is very important for our success practicing in the ultimate dimension. Practice in the ultimate dimension means being in touch with our no-birth, no-death nature, like a wave being in touch with its true nature of water. We can ask metaphorically, “Where does the wave come from, and where will it go?” And we can answer in the same manner, “The wave comes from water and will return to water.” In reality, there is no coming and going. The wave is always water; it doesn’t “come from” water, and it doesn’t go anywhere. It is always water; coming and going are just mental constructions. The wave has never left the water, so to say the wave “comes from” the water is not really correct. As it is always water, we cannot say it “returns to” water. Right at the moment when the wave is a wave, it is already water. Birth and death, coming and going are just concepts. When we are in touch with our no-birth, no-death nature, we have no fear.

Todd R. Forsgren, Puerto Rican Tody (Todus Mexicanus), 2009.
Todd R. Forsgren, Puerto Rican Tody (Todus Mexicanus), 2009.

No Coming, No Going

For many of us, the notions of birth and death, coming and going, cause our greatest pain. We think the person we loved came to us from somewhere and has now gone away somewhere. But our true nature is the nature of no coming and no going. We have not come from anywhere, and we will not go anywhere. When conditions are sufficient, we manifest in a particular way. When conditions are no longer sufficient, we no longer manifest in that way. This doesn’t mean that we don’t exist. If we’re afraid of death, it’s because we don’t understand that things do not really die.

There’s a tendency for people to think that they can eliminate what they don’t want: they can burn down a village, they can kill a person. But destroying someone doesn’t reduce that person to nothing. They killed Mahatma Gandhi. They shot Martin Luther King, Jr. But these people are still among us today. They continue to exist in many forms. Their spirit goes on. Therefore, when we look deeply into our self—into our body, our feelings, and our perceptions—when we look into the mountains, the rivers, or another person, we have to be able to see and touch the nature of no-birth and no-death in them. This is one of the most important practices in the Buddhist tradition.

Finding Solid Ground

In our daily lives, our fear causes us to lose ourselves. Our body is here, but our mind is all over the place. Sometimes we plunge ourselves into a book, and the book carries us far away from our body and the reality where we are. Then, as soon as we lift our head out of the book, we’re back to being carried away by worries and fear. But we rarely go back to our inner peace, to our clarity, to the buddhanature in each of us, so that we can be in touch with Mother Earth.

Many people forget their own body. They live in an imaginary world. They have so many plans and fears, so many agitations and dreams, and they don’t live in their body. While we’re caught in fear and trying to plan our way out of fear, we aren’t able to see all the beauty that Mother Earth offers us. Mindfulness reminds you to go to your in-breath and to be totally with your in-breath, be totally with your out-breath. Bring your mind back to your body and be in the present moment. Look deeply straight in front of you at what is wonderful in the present moment. Mother Earth is so powerful, so generous, and so supportive. Your body is so wonderful. When you’ve practiced and you are solid like the earth, you face your difficulty directly, and it begins to dissipate.


Breathing in the Present

Please take a moment to enjoy the simple practice of mindful breathing: “Breathing in, I know that I am breathing in; breathing out, I know that I am breathing out.” If you do that with a little concentration, then you’ll be able to really be there. The moment you begin to practice mindful breathing, your body and your mind begin to come back together. It takes only 10 to 20 seconds to accomplish this miracle, the oneness of body and mind in the present moment. And every one of us can do it, even a child.

As the Buddha said, “The past no longer is, the future is not yet here; there is only one moment in which life is available, and that is the present moment.” To meditate with mindful breathing is to bring body and mind back to the present moment so that you do not miss your appointment with life.

From the forthcoming book Fear: Essential Wisdom for Getting Through the Storm by Thich Nhat Hanh Copyright © 2012 by Unified Buddhist Church. Published by HarperOne, an imprint of HarperCollins Publishers. Reprinted by permission.

Ornithological photographs by Todd R. Forsgren. Continue reading for the artist’s statement (no birds were harmed in the making of the photos).

Ornithological photographer Todd R. Forsgren explains his work:

To create his paintings, John James Audubon (1785–1851) shot birds and contorted their bodies into dramatic poses by wiring and pinning them onto boards. The quirky postures were not immediately popular with the scientific community. Instead, the Academy of Sciences in Philadelphia published the work of other artists who recorded birds in less flamboyant poses. Audubon’s work first gained notoriety in England, where “the American Woodsman” fascinated his patrons. His fame earned him a place in the Royal Society of the Sciences. Today, he is the namesake of the Audubon Society, and now many bird-watchers share a similar goal to Audubon: to record every species in the country on their personal “life lists.”

It was Roger Tory Peterson (1908–1996) who pioneered the idea of a field guide. His guides highlight observable marks, pointed out by carefully placed arrows, which allow for the identification of birds at a distance. Peterson painted thousands of systematic illustrations of birds in static poses which he based on photographs, bird skins, and field observations. Field guides have allowed hobbyists, artists, and scientists to identify birds with binoculars instead of a shotgun.

Ornithologists now use mist nets instead of shotguns for data that cannot be obtained with the help of binoculars, microphones, or telephoto lenses. These nearly invisible nets are set up like fences and function as huge spider webs, catching unsuspecting birds. The researcher carefully extracts the bird from the net. Each bird is measured, aged, sexed, and banded with an individually numbered anklet (Audubon’s philopatry experiments with Eastern Phoebes was likely the first bird banding done in the United States). Then the bird is released, unharmed.

John James Audubon’s monograph, Birds of America, and Roger Tory Peterson’s Field Guide to the Birds of Eastern and Central North America were the first pieces of artwork I loved. I spent days studying and trying to emulate Peterson and Audubon as a bird-watching teenager. With these artists still on my mind, I set about on this project. I have chosen to photograph birds while they are caught in mist nets. Here, the birds inhabit a fascinating space between our framework of the bush and the hand. It is a fragile and embarrassing moment before they disappear back into the woods, and into data…

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